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一盘“终局”


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一盘“终局”图片1
“荒诞”的合作

——今年三月,我们有幸邀请到了德国导演华尔特·阿斯姆斯(Walter Asmus)来中心排练贝克特的代表作《终局》。说起华尔特,想必去年五月看过爱尔兰门剧院《等待戈多》的观众一定不会对他陌生,当时他正是该剧的导演。作为贝克特一生的挚友,华尔特不仅曾担任贝克特的助手,与其共同完成了不少作品的制作,更是自己独立导演了多部贝克特的戏剧及影视作品。对于贝氏戏剧的风格,可谓熟知于心。所以完全有理由相信他可以把原版的贝氏戏剧介绍给上海观众。
也许你会说,外国的荒诞我们接受不了;也许你会说,贝克特的荒诞我们演不了。可荒诞绝不是晦涩难懂,它更有诙谐幽默之意。对于人生,我们有着共同的体悟;对于艺术,我们有着共同的追求。贝克特说过《终局》是他最为满意的一部作品,就让我们一起在上海创作《终局》,实践荒诞,难道这不是明年贝克特诞辰一百周年之际我们对于这位荒诞派戏剧大师最诚挚的致敬吗?

I am proud to be invited to direct Endgame by Samuel Beckett for the Tenth Anniversary of the renowned Shanghai Dramatic Arts Centre. The overwhelming response to my production of Waiting for Godot with the Gate Theatre Dublin, when it was shown at the Dramatic Arts Centre Theatre in May 2004, proved a keen interest of the Shanghai audience in the work of Samuel Beckett and a great understanding for it. Samuel Beckett was one of the most important artistic minds and innovators of drama of the Twenties Centre in Western Europe, not to say in the world. I was blessed to work closely with him for over fifteen years and I regard it as my foremost duty to serve his work in the way I was privileged to learn from him. I am very excited about interpreting Endgame with Chinese actors for a Chinese audience as closely as possible to the way he conceived it and wanted it to be seen on stage. With only four people in a room, depending on each other and inescapably tied together, Endgame is perhaps the most perfect of Samuel Beckett’s plays. It is the ultimate tragi-comic metaphor ofthe incapability of human beings to live with each other or without each other in a hostile, inexplicable and declining world. Samuel Beckett’s favourite line from the play was: “Nothing is funnier than unhappiness...” When asked for interpretation and explanations he insisted: “Everything is play...”————Walter Asmus
一盘“终局”图片2
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摘自:话剧 2005年第01期  
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