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经典迷失 时代从容


□ 封振国 韩 波 王伶月

  摘 要:新中国初期,中国美术在讴歌新社会的主旋律中创作,带有浓郁的社会政治情绪,“红光亮”成为艺术创作的形式主体。“文革”期间,中国传统文化经典深受浩劫,艺术在激进的政治运动浪潮中发展,传统经典文化迷失,特殊历史时期对人性本体压抑。70年代末改革开放以后,外来文化的影响,当代艺术创作力求形式革新,在社会多元化、艺术生活化、时代性主题的语汇表达中思考创作,并竭力展示了新世纪文化本体发展趋势的时代从容。
  关键词:延安文艺精神 文革美术现象 “红、光、亮” 改革开放 个性解放
  
  Abstract:During the beginning period of PRC, the Chinese Arts, strongly characterized by social political sentiment, developed and progressed on the theme of eulogizing the new society. RED, Glory and Brightness became the major form of artistic creation. During the Cultural Revolution when the Chinese traditional cultural classics were in great catastrophe, the Arts progressed in the radical political campaign and traditional classical culture were at sea. Thus against such special historical era humanity itself were oppressed. Ever since the starting of reform and opening-up in the late 1970s, especialy under the influence of imported cunture, contempary artistic creation has been pursuing the innovation in forns. Chinese artists have been reflecting and creatiing their works with the artistic language to display such topic as pluralism of social life, popularization of the fine arts and epocal character for the Arts. Meanwhile they spare no efforts to show the leisureness of cultural tendency in the new century. ......
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